Saturday, February 22, 2020

Book Review: "Supernova Era" by Cixin Liu

Supernova Era (2004)
Cixin Liu (1963)
Translated from the Chinese by Joel Martinsen (2019)
348 pages

Sometimes you truly can’t judge a book by its cover. I certainly found that to be the case for the hardcover edition of Cixin Liu’s science fiction novel, Supernova Era. The cover art does admittedly include a bright explosion off in the distance beyond a picture of Earth, apparently representing the supernova of the title. But, in my eyes, the cover also shows what appear to be dozens of satellites circling Earth, which look for all the world like giant, orbiting skyscrapers; and although it could certainly be argued that imagining these objects to be inhabited satellite-cities was a product of an over-active imagination on my part, the fact is that the story takes place entirely on Earth, with the exception of a cryptic reference in the Epilogue to a settlement on Mars – never a mention of a veritable cloud of fancy-looking orbiting structures.

So, anticipating – chapter-by-chapter – an eventual shift into orbit based on the cover art is a fruitless wait. And that, unfortunately, turns out to be a bit appropriate, because the story itself never quite leaves the ground.

Unlike Liu’s trilogy Remembrance of Earth’s Past (a review of the first novel in that series, with links to the others, at right), which gathers momentum slowly but develops into an enthralling story eventually encompassing the entire universe and ranging from the recent past to the unimaginably distant future, Supernova Era begins with an apocalyptic bang – a nearby star exploding – but then carries forward through events only a few years into the future.

Which can be ok: as I’ve written in earlier reviews (for example here), my fascination with apocalyptic novels is not so much the catastrophic event at their core, but rather how the author imagines individuals and societies will react to it, for which the immediate period after the catastrophe can be the critical one. In Supernova Era, however, the opening pages describing the location, history and finally explosion of the star that initiates the plot end up being the most affectingly written part of the story. For, while the bulk of the novel focuses on the aftermath of the supernova, it plays out as little more than a sequence of descriptions of the cultural phenomena that result, sprinkled with occasional dialogue that serves little more than to break up that description a bit.

Oddly, Liu himself seems to indirectly acknowledge this stiffness in the Epilogue, presented as if written by one of his descendants, a man living in a colony on Mars with an interest in history. This struggling historiographer explains that he wrote the story as an attempt to convey the events of the immediate aftermath of the supernova in novel from, to tell the history of the period through the eyes of the people involved. But, in focusing on societal development, our historiographer-become-novelist doesn’t bother to develop the characters, and we so never learn much of anything about what they think or how they feel; instead they seem rather like props added in only to help carry the narrative, each fulfilling a stereotypical role – the quiet savant, the caring healer, the bully.

The situations these characters experience and react to turn on the conceit that roughly a year after the supernova everyone over the age of 13 will suddenly die of radiation poisoning. Discovering this coming disaster in the immediate aftermath of the supernova, each country’s adults move aggressively to train their children to take over all the work of their nation and society, from delivering the mail, to working in agriculture and manufacturing plants, and including political and military functions.

When the adults’ time is up, they then disappear, preternaturally passive and herd-like, to distant gathering centers to die, leaving their children in charge. Given the short time available to prepare the children for the handover of control and responsibility, and the momentum of centuries of human history that have led to the social, cultural, economic and political structures of our current world, Liu’s historiographer portrays the adults as having done the best they could.

But once they have left it is not long before the spectacular – though perhaps inevitable – failure of imagination that the adults have displayed in assuming how it would go for the children in their absence becomes evident. The remainder of the book covers the shocking first few years of the eponymous Supernova Era, as within a few days of the adults disappearance the momentum of their old world flags, the children’s world going spectacularly off the rails. The suddenly rudderless kids proceed to ricochet through a terrifying sequence of social transitions and transformations that repeatedly push their new world to the brink of collapse, though occasional references to quotes and comments from future historians let the reader know that civilization will ultimately survive.

The on-going calamity of the children lurching forward earnestly but haplessly as they confront a life without adults recalls William Golding’s The Lord of the Flies, which Liu, not surprisingly, references at one point. And Supernova Era can certainly be viewed as Golding’s scenario playing out on a world stage, with all of the world’s resources – both natural and manufactured – in play, though with no hope of adult rescue at the end. The crushing finality of the children’s separation from the security of the adult world seems to prevent any of them from coming to a full appreciation of their changed reality – to weep for, as Golding’s main character Ralph does upon rescue, “the end of innocence [and] the darkness of man’s heart” that they come to discover as the supernova era deepens.

Liu centers his story in China, thus telling it from his home country point of view, though the young Chinese leaders do end up spending time in the US capital at a summit that includes the child leaders of other first world countries. As it was in the trilogy mentioned earlier, this non-Western point of view is an intriguing aspect of the book, encouraging readers mostly familiar with Western authors to shift their expectations relative to science fiction fare that tends to imagine a Western-led future where Earth is involved. What came through in Supernova Era much more than I recall from the trilogy, were some rather stark stereotypes of the West; these characterizations not only provide an eye-opening look at how Western culture is perceived in China (at least from Liu’s viewpoint), but force a reader to question how Western writers most likely also build stereotypes of the Eastern world into their stories.

Unfortunately, these stereotypes, as well as a series of astounding coincidences, pile up as a reader gets deeper into the story. To name but a few: the hard cut-off at 13 years old for survivors; all the adults dying of radiation sickness within a few days of one another at the collection points (and not, for example, gradually, over a period of months); the ability of 13 year olds on only less than a year’s training to run large industries, fly planes and so on well, if not perfectly, or even just to be able reach all the necessary controls.

And perhaps most striking: even assuming the best and most accomplished 13 year olds have been chosen for leadership positions, and allowing for their childish outbursts, the characters all still display an uncanny level of maturity in their behavior and their knowledge of history.

Ultimately these and other coincidences, as well as stereotypes taken to extremes largely in service to the plot (American children becoming obsessed in playing “games” with real guns and experiencing rapidly mounting casualties that don’t seem to slow the fascination) make the story seem too pat. It becomes a series of cultural shifts that Liu imagines would happen in such a scenario, but, without characters that a reader can develop an attachment to, the mounting casualties from the social disruption have little impact on a reader, and the characters’ decisions seem arbitrary and of little psychological consequence. Supernova Era, unfortunately, reads more like a detailed outline for a story than a fleshed out novel.

Other reviews / information:


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Monday, February 10, 2020

Lamentation 4: we are such stuff as dreams are made on

I found this when sorting through my mom's things, after she passed away last year.  On a loose sheet of paper from almost a decade earlier, she noted
4/5/09 found in: John Cleever - The Wapshot Chronicle:
Shakespeare: Prospero's speech -
"Our revels now are ended.
These our actors, as I foretold you, were all spirits and are melted into air, into thin air.  We are such stuff as dreams are made on, and our little life is rounded with a sleep."




The full quote, from <u>The Tempest</u> (Act 4, Scene 1) is
Our revels now are ended.  These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind.  We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.



Another entry in an occasional series of posts of lamentation. (The introduction to this series can be found here, and links to the complete series here.)

Friday, January 24, 2020

Book Review: "Horizon" by Barry Lopez

Horizon (2019)
Barry Lopez (1945)
572 pages

During certain periods of uninterrupted vigilance at the edge of the sea, I’ve … had the sense that there is some other way to understand the ethical erosion that engenders our dissatisfactions with modern life – the tendency of ruling bodies, for example, to be lenient with entrenched corruption; the embrace of extrajudicial murder as a legitimate tool of state; the entitlement attitudes of those in power; the compulsion of religious fanatics to urge other humans to embrace the fanatics’ heaven. The pervasiveness of these ethical breaches encourages despair and engenders a kind of social entropy; and their widespread occurrence suggests that these problems are intractable.

I can’t say what this other way of looking at these situations is, how a huge domed space like the daylit ocean, a space almost entirely free of objects and offering a different sense of time passing, might provide a perspective to make banal human failure seem less enduring, less threatening; but taking in this view, I always sense that more room for us to maneuver exists. That what halts us is simply a failure of imagination. (67)
A desire, in part, to overcome the limits of this failure of imagination has driven writer Barry Lopez throughout the world on a lifelong journey of exploration and learning. In Horizon, he offers an engrossing meditation on what he has experienced during this on-going pilgrimage through all manner of geographies and communities of humankind, and what it has taught him about how – to borrow a question that On Being host Krista Tippett routinely asks guests at the conclusion of her interviews – how he would begin to answer the question of what it means to be human.

And as part of addressing that question Lopez doesn’t shy away from discussing its intimate relationship to the existential challenges currently facing the humankind.

Though in some sense the entire work is autobiographical, over the first fifty or so pages of the Introduction Lopez provides a brief timeline of his life, focusing on elements of his childhood that came to trigger his desire to see beyond the horizon, as well as glimpses of transformative moments he has experienced during his travels. The remainder of the book is divided into six sections, each centered on a period he has spent at a particular location, but each also further illuminated through vignettes from others of his trips and from the extensive reading and studying he has done to accompany and inform his travels.

His narrative soars with the wonder with which he views both the natural landscapes he discovers – each with its own intriguing geology and biology – as well as the often forgotten human cultures that once called these places home and have since disappeared or been displaced. And he brings a long-term, comprehensive view to the physical and social environments he encounters. Thus during a sojourn on Skraeling Island in the Canadian arctic he finds himself bewitched by not only the beautiful, natural extremes of the landscape, but also the ruins of pre-Inuit cultures that he encounters – abandoned structures of the ancient Thule built on top of and from the remains of the even more ancient Dorset culture; viewing all this he revels in “the way one century nestled within another here, the verticality of time in this place.” (158)

Later in the book, visiting East African sites rich in “fossil evidence of early Homo Sapiens,” Lopez joins the search for evidence of “any hint of human ancestors.” (272) But his narrative expands beyond the already fascinating details of the anthropological hunt to explore what becoming fully engaged in such work has on his understanding of who we have become today as a species:
Walking the [East African] desert every day, I feel no compunction about imagining [pre-Sapien species such as] australopithecines or early Homo. … I feel no stake in whatever they were. They are like objects to me. After that group leaves the Afar region 55,000 years ago, however, I find I cannot think of them as objects. They are more like relatives, like harbingers, people with whom I share a fate.

The australopithecines send a message forward in time with no ominous note in it, no hidden threat. The message we read from the 1,800 generations of humanity that became historical following, possibly, a slight change in the structure of the human brain, a story about cultural achievement and human brilliance impossible adequately to honor, seems to carry within its heart, in contrast, a warning. (302) 
Here again, as throughout his journeys, Lopez looks back into the often mysterious depths of our species’ past and discovers implications for our modern day world, as well as demands placed on how we choose to create our future. By including such deeply personal reactions to what he experiences and learns, he animates his stories of these places, making clear the shared humanities of far-flung peoples from wildly different environments and epochs.

But for the all the beauty and wonder he finds as he visits the far corners of our world, he also regularly encounters the destructive impact humans have, and recognizes and acknowledges the profound threats humanity faces from the consequences of our own behaviors. Lopez wears his heart on his sleeve throughout the book, unsparing in his analysis of the ecological damaged being caused and the destructive economic and social constructs he finds to be at the origin of these problems. Early on he laments:
By putting economic growth on an equal footing with the preservation of human health, by promoting a need to possess and to consume that borders on the pathological, and by permitting industries to run roughshod over landscapes in order to create financial profit, the governments of industrialized nations have supported the changes that are primarily responsible for the befouled and poisonous environment that in many places has become our heritage. (84)
Reacting to the scale of the destruction he encounters, his writing joins the growing chorus of voices – of economists, scientists, philosophers and others – who have looked out at the social and ecological challenges we face, and begun to question the sustainability of our deeply intertwined economic and political systems.

Informed by the diversity of cultures he has encountered in his travels and readings, he also asks whether the solutions to the crises humanity currently faces – from climate change, ecological destruction and the sixth extinction to economic inequality – could more readily be found by broadening the discussion beyond the leaders and populations of the few nations with power. Instead, he argues that we could perhaps benefit in our search for solutions to these seemingly intractable issues by including in our conversations peoples from many different cultural and geographical backgrounds. He notes that, in his experience, each culture develops an understanding about its local geography and biology that informs its particular world view, and that each such alternative world view could provide an element contributing to the understanding needed to escape our present “failure of imagination."

http://tertulia-moderna.blogspot.com/2013/11/book-review-1493-from-charles-mann.htmlWith that thought in mind he laments the many cultures lost to history, having either died out, or been overrun in conflicts with more powerful outside societies – a process that has accelerated since what Charles C. Mann referred to in his book 1493 as the “great unification” (24, 1493, review linked to at right) that followed the voyage of Christopher Columbus in 1492. With the disappearance of these cultures he wonders if a singular opportunity to benefit from their particular wisdom has been irrevocably lost to us.

Even as he returns again and again, however, to the ecological and social destruction he has encountered, he makes clear his complex feelings about and relationship to this new reality we live in – and continue to create – out of our world. He questions, for example, whether it really makes sense to try to return a particular ecosystem to some imagined previous pristine state, or, if it is instead better to accept it as the given present, and instead look forward:
I’ve often thought my long-standing aversion to clearcuts is no longer really warranted. … it might be viewed [that] the throttled Earth – the scalped, the mined, the industrially farmed, the drilled, polluted, and suctioned land, endlessly manipulated for further development and profit – is now our home. We know the wounds. We have come to accept them. And we ask, many of us, What will the next step be? (65)

He seems to conclude that we must both accept the world we have inherited – its beauty as well as its ugliness – but at the same time not capitulate to the entrenched social, economic and political forces that fight to convince us that no other path forward but the current one exists, that the resulting destruction is the unavoidable price of progress. In this way the cumulative story here is an autobiography of a person traveling and reading widely as he tries to grapple with the fundamental question of the human condition, someone who refuses to give in to simplistic conclusions or believe that there are simple solutions, but who will also not release us from our individual obligation to understand our world better, and engage actively in its future direction.

Ultimately this complexity is the thread that runs throughout Horizon, a gorgeous story of discovery and understanding of the incredible variety of our world, but also its many scars. On the one hand, Lopez exalts in the beauty he sees:
For as far back as I can remember, a feeling of affection toward what the poet Adam Zagajewski calls “the mutilated world” has welled up in me when I’ve listened to [Beethoven’s] Ninth Symphony, to Mahler’s Second Symphony, to Bach’s Passion According to St. John, or to the contemporary music of the Estonian composer Arvo Párt. In my experience, a change in the quality of light falling on a hillside or a single choreographed movement by a ballerina might as easily release in someone else similar feelings of tenderness toward the wounded world, and feed the hope that these wounds might somehow be healed. (192)
But on the other he refuses to ignore those “wounds,” and the clear and present dangers he finds them to signify, and so calls on us to stand up to these challenges – the future of humanity hanging in the balance:
I sat … wondering where the path to safety lies in our time. Wondering about the fate of those who, uneasy, are increasingly raising their voices. Wondering, considering the many apparent threats we can see on the horizon, whether what is to emerge for us is an unimaginable darkness of social disorder and ecological disaster or the fully imagined landscape of a second, a very different, Enlightenment. (179)


Other reviews / information:

Lopez includes helpful maps of the main areas he discusses; both comprehensive area maps at the back of the book, and more detailed versions spread throughout the text.

Though some might not find it necessary, it doesn’t hurt to have dictionary handy as you read Horizon: Lopez brings a precision to his writing, both in terms of the flora and fauna he describes, as well as his descriptions of human and natural geography, that never allows him to pick the more common word for something when a perhaps more precise – though some might argue more esoteric – word exists for it.

Barry Lopez’s website here.

More quotes from this book


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Tuesday, January 14, 2020

Book Review: "The Lady from Zagreb" by Philip Kerr

The Lady from Zagreb (2015)
Philip Kerr (1956-2018)
421 pages


Though author Philip Kerr’s engaging and popular noir series the Bernie Gunther novels centers on the eponymous detective, it is the stories’ setting within the dark reality of the rise and fall of Nazi Germany, and more broadly the Second World War in Europe, that provides the framework and intensity. Kerr’s extensive research shines through in these books, as he incorporates not just the most familiar happenings of the period but also lesser known historical events – conflicts and atrocities overshadowed in the popular histories of the time by the more familiar and disturbing horrors that occurred.

Kerr also gives many of the most well-known of the Nazi political and military leaders central roles in these stories by having them recruit Gunther for detective work they need done. Generally the assignments Gunther ends up with involve sensitive situations that his clients in their leadership positions naturally want to have kept quiet, which allows Kerr to create the plausible fiction that the events of the plot could have happened within the historically recorded lives these figures led.

Gunther has a well-known reputation among the highest officials of the regime as not being a Nazi supporter; his verbal sparring with them about the actions of the regime and the true status of the war effort often veer dangerously across the line from light-hearted to treasonous. It is clear to all involved that these leaders who could have him killed on a whim, but it is precisely this compromising characteristic – paired with his survival instinct – that makes him a valuable asset to them when they have some private affair that needs dealt with. Though the cases mostly tend to further reinforce his disgust with the ugly underbelly of Nazi Germany that they reveal, his deep-rooted detective’s desire to solve a mystery ultimately sees him through to their end.

And so it is in the tenth novel in the series, The Lady from Zagreb. The story opens in 1956 in a cinema on the French Riviera, where Gunther now lives and works. He has not come to the movie out of any interest in the plot, focusing instead on its starring actress, a woman with whom we come to learn he had an all-to-brief love affair during the war. Indeed the film itself bores him, and he soon closes his eyes to relive the details of their encounter in Berlin in the summer of 1943.

Thinking back to that period in the middle of the war, he recalls being summoned to the office of Josef Goebbels, the Reich Minister of Propaganda, one of Hitler’s closest allies. Goebbels, in his position as head of the German Film Association (UFA), has fallen in love with a beautiful new starlet, Dalia Dresner. Dresner, however, has refused to act in the next film Goebbels wants produced, saying that in the wake of her mother’s death she wants to reestablish contact with her father, who has gone lost in their native Croatia. Goebbels doesn’t want to use official resources to track down her father, which would risk having his enemies in the government discover his private interest in Dresner, and so he turns to Gunther, coercing him to accept the mission to Croatia.

Soon after, Gunther meets Dresner, and falls in love with her immediately, adding motivation to his originally half-hearted acquiescence to Goebbels’ request. Once in Croatia, Gunther finds himself in the middle of a civil war raging largely unseen among the broader hostilities of WWII, a savage conflict filled with unimaginable partisan atrocities that only serves to deepen the nihilist view Gunther has developed from all he has already seen elsewhere in the war.

The discoveries he makes in Croatia, however, put him in a compromising position in his careful but passionate pursuit of Dresner, to whom he is attracted both for her beauty as well as for her being the one small bit of light for him in the darkness that has comes with being tied so intimately to the regime. At the same time, he finds himself having to pacify a suspicious Goebbels, as well as fend off both German and foreign agents aggressively trying to divine actions and intentions. Will he be able to stay one step ahead of the forces arrayed against him, and successfully pursue his love for Dresner?

Though the reader learns of Gunther’s affair with Dresner already in the opening pages, Gunther begins his recollection of events in 1942, over a hundred pages and a full year before the meeting with Goebbels in which he first learns about the actress and takes on the assignment to find her father. In the extended opening section of the novel leading up to that meeting, Kerr creates a complex combination of subplots, including a mysterious murder that initially goes unsolved. These various storylines seem for much of the story largely unrelated; only in the final pages does Gunther finally tease out the many mysteries he is faced with and their relevance to one another.

Compared with the Bernie Gunther novels that I’ve read from earlier in the series, The Lady from Zagreb has less of the action of a WWII detective thriller. Instead, the story constitutes an extended rumination on the darkness that settled over Europe in the 1930’s and 40’s, and its impact on Gunther. By the time of Gunther’s affair with Dresner, he had been to concentration camps in the east and witnessed the scale of the unfolding genocide. That knowledge and the same clear-eyed thinking that makes him a successful detective have enabled him to see through the persistent and insistent nature of the regime’s propaganda, and to recognize the full extent of the atrocities being perpetrated by the regime and its followers.

http://tertulia-moderna.blogspot.com/2017/09/book-review-other-side-of-silence-by.htmlThis knowledge, as well as the private disappointments he faces in his personal life, provide the foundation for the Gunther who will appear in the next several novels, including The Other Side of Silence (review linked to at right): a despondent former detective who has landed in the post-war years in the French Riviera, working at a hotel and wandering the streets lost in a melancholy that has him ever on the verge of suicide.


Other reviews / information:

http://tertulia-moderna.blogspot.com/2019/11/book-review-die-akte-vaterland.htmlThere were interesting, if tangential, connections in Kerr’s story to another detective story I read recently, Volker Kutscher’s The Fatherland Files (review linked to at left). Both stories take place in Berlin, though Kutscher’s story is set a decade earlier, just as the Nazi’s are coming to power in the early 1930’s. Several true life members of the Police leadership who appear in Kutscher’s novel are mentioned also by Gunther. And (not surprisingly), like Gunther, Kutscher’s detective has little use for the rising regime.


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Saturday, December 21, 2019

Book Review: "Nervous States: Democracy and the Decline of Reason" by William Davies

Nervous States: Democracy and the Decline of Reason (2018)
William Davies (1976)
252 pages

Donald Trump is not simply a serial liar; he is attempting to murder the very idea of truth, which is even worse,” said Peter Wehner, a former strategic advisor to President George W. Bush …. “Because without truth, a free society cannot operate.
                                                                                      The New York Times, 1 Nov 2019

The first part of Wehner’s comment seems fairly indisputable at this point; even Trump’s supporters tend to concede he is fast and loose with the truth, however little it impacts their support of him. To Wehner’s conclusion, however, that “without truth, a free society cannot operate,” political economist and author William Davies would perhaps argue that truth, in the sense of facts, has actually become, at the very least, insufficient for the successful administration of society.

In his book Nervous States: Democracy and the Decline of Reason, Davies claims that the technocratic, science-based structures that have come to undergird Western political philosophy and governments over the past several centuries have lost their effectiveness:
Experts and facts no longer seem capable of settling arguments to the extent that they once did. Objective claims about the economy, society, the human body and nature can no longer be successfully insulated from emotion. (xiv) 
He identifies recent events in the U.S. and Western Europe as in fact revealing a growing shift in the West from a centuries old attempt to rule by “the authority of facts” (xiv) to a reality in which emotions and feelings hold more sway than objective claims.

But, far from lamenting this shift, he finds it encouraging.

Davies dates the origins of “the authority of facts” and the primacy given to dispassionate experts in Western regimes to the 1600’s. Philosophers of the time tied the seemingly unending cycles of destruction from deadly conflagrations such as the Thirty Years War to the dangerously unpredictable emotions in the public space, and specifically to the consequences of fear among a population. They argued that people’s deepest desire is actually freedom from fear – to be able to feel secure in their lives and their future – and specifically that the danger of fear leads to violence:
What makes violence inevitable, Hobbes reasoned, is not so much that certain people are strong and aggressive, but that most people are weak and fearful. If you and I are both afraid of each other, it makes sense for me to attack you, or else risk being attacked first. (40)

http://tertulia-moderna.blogspot.com/2016/02/book-review-three-body-problem-by-cixin.htmlIn a fictional setting, science fiction writer Cixin Liu has taken this concept to its logical extreme in his Remembrance of Earth’s Past trilogy, which builds on the idea that just such a fear is why we haven’t found evidence of other civilizations beyond Earth. Liu imagines that civilizations that arise in the universe will come to realize the perilousness of their position relative to other, unknown civilizations and become consumed by fear, deciding that the best course of action is to hide their presence from the rest of the universe, and, when they themselves discover evidence of any other civilization, to strike out immediately in a preemptive attack. (A review of the first book in Liu’s trilogy at left, with links from there to reviews of the other two books.

The theme of Liu’s story rests on the reality that civilizations in the universe necessarily exist in stark isolation due to the immense distances involved, and so cannot effectively communicate with one another. Here on Earth, in contrast, by the 1600’s once isolated peoples were becoming enmeshed in economic networks that created the first rudimentary, world-wide communication links – unimaginably slow by today’s standards, but the beginning of a revolutionary transformation. In his work 1493, Charles C. Mann referred to this period as the “great unification” (24, 1493), one initiated by the voyage of Christopher Columbus in 1492, and after which http://tertulia-moderna.blogspot.com/2013/11/book-review-1493-from-charles-mann.html "the world’s ecosystems collided and mixed as European vessels carried thousands of spices to new homes across the oceans." (7, 1493; a review at right)

In the West in particular, this global economic expansion was intimately connected to the emerging Scientific Revolution. Historian Yuval Noah Harari explored the symbiosis of these two developments in his engaging book Sapiens, in which he notes that rapid advancements in science enabled European nations to aggressively expand their global reach and markets, which in turn led to economic growth that provided funding to support further work in the sciences and so complete the circle. Thus, Harari writes, “as time went by, the conquest of knowledge and the conquest of territory became ever more tightly intertwined.” (284, Sapiens; a review at left.)
http://tertulia-moderna.blogspot.com/2017/08/book-review-sapiens-brief-history-of.html

And, according to Davies, this flourishing of the Scientific Revolution in the 1600’s also inspired philosophers seeking to provide security to populations gripped by fear and so prone to violence. These philosophers promoted a shift away from governing approaches and language that triggered people’s emotions, and toward the methods of the Scientific Revolution, hoping “to institutionalize experimental methods of natural science” (48) into the political sphere. They argued for governance built upon experts and knowledge, that is, on the authority of facts; and governments quickly came to embrace these ideas, eager for the stability they promised. The result was a “convergence of political and scientific authority [referred to as] ‘technocracy.’” (53)

The Scientific Revolution, then, provided not only the conceptual basis for the technocratic regimes that have held sway for some three centuries, but also the means for them to expand their reach and dominance across much of the Earth.

But Davies argues that many among the governed in these societies have long realized that the idealized vision of a dispassionate expert – whether in government or even in science – has never truly existed. In the second half of the book he examines the forces that have led to the questioning of support for technocracies, and the rise of what he refers to as a “politics of feeling."

This shift toward a politics of feeling has its origins, according to Davies, in the blurring of the lines between war and peace, which he traces back to Napoleon’s mobilization “of a conscripted, popular army … fueled by nationalist fervor” (129), and against which the earlier, aristocratic approach to fighting was powerless. In order to combat Napoleon effectively, other nations were forced to recreate his methods, mobilizing their populations by “cultivating a similarly popular enthusiasm for war.” (129)

Critically, according to Davies, this approach of public mobilization eventually led to a move away from the concept of publicly shared learnings that had been an ideal of the Scientific Revolution, toward instead intelligence- and information-gathering efforts focused on acquiring and owning data. Over time this ethos spread to the economic sphere, leading to a social and cultural
philosophy [that] respects no clear distinction between the realm of intellectual competition and that of economic competition … the pursuit of wealth, of power, and of truth start to gradually blend into one. (171)
Such a culturally enshrined state of constant competition – of war, effectively – “represents a form of politics where feelings really matter” (119), unavoidably ensnaring even ostensibly impartial governing officials into emotional appeals and reactions.

In fact, the public has come to recognize that “the need [by technocrats practicing evidence-based policy] to create a picture of the world can also be born out of [their] desire to own it.” (59) Davies makes an intriguing analogy between historical colonial discontent and the now familiar lament of people in the fly-over-states of invisibility, writing that:
The cultural and political divisions separating centers of expertise from other sections of their societies have created a [current day] situation with rhetorical echoes of the colonial one, in which methods of science and expertise seem like an arm of some foreign leviathan state. (60)

Recognizing these now increasingly evident consequences for peoples caught up in the competitive cultures fomented by technocratic states, Davies argues for a more sympathetic view of the current public mood. Rejecting disparaging accusations that people vote against their interests or are ignorant of science or facts, he feels that
Reactions against expertise may seem like an irrational rejection of truth itself … [but] they are more often a rejection of the broader political edifice from which society is governed. (29)
And this rejection leads to a desire by the disenfranchised to take control over some aspect of their lives, reflected in the shift toward a “politics of feeling.” (117) Thus, for example, the apparent motivation in the 2016 election to, as the rallying cry put it, burn it to the ground: “Disruption [becomes] an alternative to control.” (20)

Davies finds support for his arguments in recent revelations in neuroscience that blur the stark distinction of the 17th century ideal of mind being separate from feeling, and that instead reveal the predominant impact of our feelings over our thoughts, decisions and actions. The developments in neuroscience and evolutionary psychology Davies refers to have been explored by Robert Wright in his fascinating work Why Buddhism Is True:
From natural selection’s point of view, the whole point of perception is to process information that has relevance to the organism’s Darwinian interests --- that is, to its chances of getting its genes spread. And organisms register this relevance by assigning positive or negative values to the perceived information. We are designed to judge things and to encode those judgments in feelings. (161, Wright; a review at right)
http://tertulia-moderna.blogspot.com/2018/10/book-review-why-buddhism-is-true-by.htmlFor Davies, these ideas support the intensifying feeling among the public that experts cannot be relied upon to truly dispassionately pursue, identify and reveal truth and facts.

Using examples from recent political and social movements, Davies demonstrates the resulting decline in trust for professionals in a wide range of fields, from politics to the media and the sciences. He notes an attendant rise in “direct democracy” and “the logic of crowds”, with groups mobilized through appeals to their emotions and feelings, “allow[ing] every individual to become (and feel) part of something much larger than themselves.” (7)  Populist leaders have done this masterfully, of course, but Davies points out that an event like the March for Science in 2017 reflects the emergence of a new paradigm even among organizations outside of nationalist movements, an approach that appeals to emotion rather than relying on dry, expert pronouncements.

http://tertulia-moderna.blogspot.com/2017/04/book-review-true-believer-by-eric-hoffer.htmlThe effectiveness of using emotion to animate groups of people was explored by the author Eric Hoffer, in his engrossing 1951 treatise The True Believer: Thoughts on the Nature of Mass Movements, in which he identified appeals to emotion – rather than facts or truth – as a common basis, historically, for drawing individuals into “religious movements, social revolutions or nationalist movements.” Although acknowledging that such movements are not all identical, he claimed that “they share certain essential characteristics which give them a family likeness,” and noted in particular that “the frustrated predominate among the early adherents.” (xi-xii, The True Believer; a review at left)

Precisely such frustration, according to Davies, has arisen in recent times from people’s perception of having lost control over their lives, leading to feelings of fear that leaders of movements of all types exploit to mobilize their supporters. He notes, in fact, that “crowds are liable to a vicious circle of fear … [that] produces a rising desire for safety, which autocrats satisfy through making threats toward others.” (16-19)  And, again, such tactics are not confined to autocrats; he notes that the organizers of the March for Science also rallied people around a shared fear, in this case
a series of alarming appointments and policy decisions made by the Trump administration that appeared to threaten the public status and financing of scientific research. (23)
These rallies then, were focused not just on support for science, but in fact became directed protests against Trump and his administration as the ‘enemy.'

Based on our developing understanding of human behavior, and our current political, economic and social situation in the West, Davies concludes that attempts to reverse the shift from technocracy to a politics of feeling are hopeless, doomed to failure. He rejects the calls from Steven Pinker, Richard Dawkins and their compatriots that we walk back from the developing politics of emotion by “reassert[ing] our commitment to scientific objectivity and institutions” (207), as well as their desire to achieve a “de-escalation of tactics associated with ‘identity politics,’ such as ‘no platforming’ and campus ‘safe-spaces,’ which exclude distressing idea and speakers” (208), disparaging it as “bravado rationalism.”

Certainly Davies has little regard for Pinker’s claims of “how objectively better things are now than in the past,” dismissing such views as requiring “a cold, emotionless look at history.” Instead, he notes “the fallout of modern science and technology includes the gravest dangers facing us today,” and sees “the future of progress” envisioned by “ultra-privileged elites” as one that “cannot be something that includes most people.” (226)

http://tertulia-moderna.blogspot.com/2018/12/book-review-21-lessons-for-21st-century.htmlA detailed exploration of Davies’ arguments (if not perhaps an agreement with his conclusions) about the coming dangers if we continue down our current economic and political path has been presented by Yuval Noah Harari in his book 21 Lessons for the 21st Century. There he predicts that the escalating biotech and infotech revolutions will first and foremost benefit members of the upper-class of society, who will, based on these technologies, be able to then further increase their advantage. As I wrote in my review of Harari’s book (linked to at right):
according to Harari, inequality will rise to such unprecedented levels that the current social compacts --- already fragile --- collapse entirely, as the biologically enhanced super-rich isolate themselves ever more completely from the rest of humanity, who will no longer be needed to perform work, and so will discover themselves to have become irrelevant.

To counter this, Davies argues that effective democracy is achieved by embracing a politics of feeling, which will be “organized around vital needs and demands,” citing Black Lives Matter and the Missing Migrants Project as examples of the types of movements “that will likely dominate the twenty-first century, aimed at highlighting inequalities in the defense of life itself.” (225) He dismisses calls that “political institutions should celebrate the aloof, apolitical, unyielding nature of the rational expert,” finding them to imply that “democracy comes second.” (208) Instead of yielding the realm of feelings in politics to demagogues and autocrats, it must be seen as the next stage of democratic governance, one that “could fuel a different version of populism in the West, built on the truthful recognition that many marginalized populations are being physically and mortally harmed by the present model of progress.” (225)

Even someone who shares Harari’s dystopian view of our potential future and sympathizes with Davies’ quite reasonable concerns about “the present model of progress,” however, will likely be left unconvinced by Davies’ prescriptions. His arguments that “fear, pain and resentment” have been ignored by the technocratic regimes of the past several centuries and have now “invaded our politics anew” (226) and should be embraced – rather than shunned – by rationalists, ignore the very real challenges of such a political direction. He doesn’t address, for example, the evident dangers of identity politics, with its tendency to divide people into emotionally and politically splintered camps, creating an all-against-all set of tribes that can struggle to overcome their differences and unite in common cause, even in the presence of seemingly existential threats.

http://tertulia-moderna.blogspot.com/2019/01/book-review-coddling-of-american-mind.htmlPrecisely such challenges have been explored by Greg Lukianoff and Jonathan Haidt in their book The Coddling of the American Mind (a review at right), in which they identify and define what they refer to as Three Bad Ideas, or untruths, the second of which – how one feels about an event or situation provides a valid understanding of what has occurred – stands in direct opposition to Davies’ desired direction. Lukianoff and Haidt go on to describe how, for someone conditioned to accept this belief, the feeling that an aggression has occurred means that by definition it has. This leads to the tendency to view any sort of unwelcome behavior or statement in the worst-possible light, defining even accidental and unintentional offenses or aggressions, which leads to the concept of micro-aggressions, a view that apparently no miss-statement – however unintentional it may have been – is too minor to be condemned.

Thus, the risk is that, when ruled by the politics of feeling, a splintering of the citizenry can occur that leads to an autocrat potentially being the last one standing, able to unite a small but sufficient minority by lumping all those splintered groups together as a dangerous “other."

Beyond leaving unaddressed such concerns with incorporating a politics of feeling, Davies also gives little if any concrete indication of what the framework would functionally be if current representative governments transitioned toward a more direct democracy. He calls for more movements like Black Lives Matter and the Missing Migrant Project, but, however beneficial these movements may be for particular causes, simply expanding their model doesn’t constitute in itself a successful government.

That said, Nervous States provides an informative review of the origins of our current, technocratic political and social structures, and the critical challenges they face from populations feeling not only increasingly disenfranchised, but in fact powerless over the direction of their lives and their societies. Davies adds his voice to the growing chorus of those pointing out the unsustainability of our current economic systems, and the political regimes that support them. Even if his prescriptions may seem insufficient, they further the critically necessary conversation on this potentially existential threat.



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In his book, Davies makes an intriguing connection to the opioid crisis, viewing it as the desperate act of people wanting to take control of the one area they feel remains open to them – their own bodies.

Read quotes from this book


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Friday, November 22, 2019

Book Review: "Die Akte Vaterland" ("The Fatherland Files") by Volker Kutscher

Die Akte Vaterland (2012)
(The Fatherland Files)
Volker Kutscher (1962)
564 pages

“Many say, [he’s] the best speaker in the district and should actually go into politics.”

“Well,” said Rath, “if politics is supposed to mean telling the people what they want to hear, and thereby making yourself popular, then he’s certainly a good politician.”

(“Viele sagen, Wengler sei der beste Redner im Landkreis und sollte eigentlich in die Politik gehen.”
“Na ja,” meinte Rath, “ Wenn Politik bedeuten sollte, den Leuten zu erzählen, was sie hören wollen, und dich damit beliebt zu machen, dann ist er bestimmt ein gutter Politiker.”) (334)
Gereon Rath, the police inspector at the center of Volker Kutscher’s detective story The Fatherland Files (Die Akte Vaterland), has little use for politics, and even less for rabid political ideologies and ideologues. At one point, in fact, he says it directly: “I’m not interested in politics … I fight crime.” (“Ich interessiere mich nicht für Politic …. Ich bekämfe Verbrechen.” 181)

But Kutscher has set his story in the Germany of the summer of 1932, a fraught time, with Hitler’s SA (Sturmabteilung, or Storm Detachment) paramilitary forces and communist party members fighting pitched battles in the streets, and the Nazis on the verge of taking power. For Rath these events present not only additional criminal activity to be dealt with, but also, more broadly, complications to his investigations.

As the story opens, Rath and his team learn that the owner of a liquor distribution company has been found murdered in an elevator at the Haus Vaterland, “Berlin’s largest pleasure palace” (“Berlins größtem Vergnügungstempel” 18), an entertainment mecca worthy of modern day Las Vegas, with restaurants, bars, shows and more. As the investigation proceeds, what appears at first to be an isolated murder reveals multiple strands that generate more questions than answers.

Eventually the clues lead Rath to the eastern-most part of Germany, Masuria, a region that between the World Wars became cut-off from the rest of Germany, connected only by plane and a transit corridor through Polish territory. Once there, he finds a population that feels their isolation from the German heartland distinctly, and that has become caught up in a fervid cycle of mutual hatred with their Polish neighbors. Their isolation makes them particularly receptive to Hitler’s ideology of patriotic nationalism – ready supporters of anyone “telling [them] what they want to hear,” in particular regarding their inherent superiority over the Poles. It also exacerbates their already profound mistrust of any outsiders who appear to threaten their neighbors or their culture, making it difficult for Rath to know who he can trust.

Circling doggedly in on the complex truth behind the murder that opened the investigation, Rath gradually uncovers ever more complex layers of iniquity and duplicity. And, as he does, he finds many of the townspeople uniting against him, some passively while others more aggressively, but all defending their carefully constructed version of nationalist reality. For them, Rath becomes the embodiment of the meddling outsider come to destroy a way of life its adherents already perceived as at risk. Will Rath manage to assemble the proof he needs to reveal the rotting core of belief about their past the townspeople so desperately cling to before his newfound enemies catch up with him?

Kutscher opens the novel in Berlin, and the tension builds only slowly over this first section of chapters as Rath and his colleagues discover more questions and mysteries than concrete answers. When Rath is sent to Masuria to follow the enigmatic clues that the team has managed to stitch together, and he encounters the active resistance and dissembling denials of most everyone he questions, the pace of the story picks up, as does the danger for Rath himself. In the final section of chapters Rath moves between Berlin and Masuria, franticly trying to get a step ahead of his suspects and their legion of protectors.

Along with the standard disclaimers regarding the main characters in the book having no relation to real people, Kutscher makes clear in a post-script that he invented the crime at the heart of the novel. Not so, however, the historical crime underway in the period in which he has set the story – the summer of 1932, when Germany descended finally, and what would be irretrievably, into the darkness of Nazism.  In Berlin Rath bumps up against the increasing brazenness of the fascists; but when he travels to the German equivalent in the 1930’s of what Americans refer to as “fly-over-land” – Masuria – he comes face-to-face with Germans far from the centers of power, many, if not most, of whom have developed a growing fascination with and attachment to the extreme patriotic nationalism of Hitler.

Though this is the first of Kutscher’s novels I’ve read, the subtitle of the book is Gereon Rath’s fourth case. There are occasional references to what seemed to be events in the earlier cases and also some plot threads left unresolved undoubtedly as fodder for future cases, but a reader can enjoy The Fatherland Files on its own, as I did, without having read the earlier books. However, after finishing this engaging story, with a sympathetic – if appropriately garrulous – detective and a fascinating historical background, fans of noir and history will most likely be off to the bookstore to buy and read the earlier stories in this engaging series.


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The translations from German are mine.

There do appear to be American translations of Kutscher’s series of Gereon Rath stories available.


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Tuesday, November 5, 2019

Book Review: "Inhuman Resources" by Pierre Lemaitre

Inhuman Resources (2019)
Pierre Lemaitre (1967)
Translated from the French by Sam Gordon
392 pages


Beware HR!

In the last several years, articles in various media outlets have cautioned employees to not forget that the first and primary concern of their colleagues in Human Resources is the good of the company, not the employee. For that reason, these reports point out, it is generally a mistake to assume that a conversation with someone in HR, even someone an employee knows well, is confidential. These recent reminders have identified the success of the “me too” movement as having given employees the dangerous notion that they can, for example, take their concerns about harassment to HR and expect to have them acknowledged and addressed to their satisfaction, only to be surprise to be dealt with as themselves a threat to the company, and potentially even let go or forced out.

Not surprisingly, the most capable HR personnel develop a deep understanding of human psychology and a broad set of techniques to enable them to navigate this delicate role, finding ways to defuse employee issues in a way that leaves the company unscathed. And, as writer Pierre Lemaitre makes evident in his novel Inhuman Resources, these same tools can make a skilled HR person with sufficient motivation a formidable opponent in the cat-and-mouse world of a noir thriller.

Lemaitre’s story opens with a man is his mid-fifties, Alaine Delambre, describing his morning at the latest unfulfilling part-time job he has picked up: sorting packages of medicines into boxes. Having lost his full-time job as an HR manager to a younger colleague four years earlier when his company was bought out by another firm, his frustration at being unemployed and his inability to find a suitable new HR position and so provide the comfortable lifestyle he and his wife had become accustomed to have left him at a slow boil. When his mercurial boss at the packaging operation first berates him as lazy and then gives him a kick in the butt, Delambre – though he contends that he’s “never been a violent man” (11) – pauses only a moment before head-butting the manager to the ground.

Even as he reels from being fired from that job and threatened with a lawsuit, he receives a callback from an interview for a potential position as HR manager for a large firm. The next step in the hiring process comes with a twist however: he must participate in a hostage-taking exercise being set-up for the dual purpose of evaluating the HR candidates, and selecting from among several existing managers at the firm to find the one most capable to execute the upcoming shut-down of a major facility for the company, expected to be a difficult and volatile event requiring a confident and unshakable leader.

Though recognizing the request as a highly dubious, if not outright unethical, hiring strategy, and despite his wife’s categorical demand that he retract his name, Delambre’s desperation leads him to sell out completely on getting the job. What begins as a cover-up with his wife – not telling her what’s happened with his part-time job and not admitting to her that he’s going to participate in the hostage-taking role play despite her objections – escalates into ever more audacious measures to maximize his chances of getting the job. He quickly reaches a kind of ends-justify-the-means mentality, placing all his chips on winning the job, and ultimately needing to get it just to cover the many and varied liens he takes out – both monetarily and in his relationships – to improve his chances.

Then, when on the eve of the day set for the hostage taking scenario, Delambre learns a disheartening truth behind the hiring process, he finds his hopes and plans utterly shattered. To what lengths will he go in response?

Setting the story in the time immediately after the Great Recession of 2008, Lemaitre incorporates into the story a liberal sprinkling of newspaper and TV news headlines regarding the economic difficulties of that period and the ongoing job losses that resulted. These references to the broader economic and social situation play like a sound-track in the background of events, adding weight to Delambre’s desperation, underscoring his frustration at the loss of the dreams he had had for his life together with his wife.

As Delambre becomes consumed by his schemes, Lemaitre brilliantly ratchets up the tension over three sections of chapters, labelled simply “Before,” “During,” and “After.” In the period before the hostage-taking role play we are inside Delambre’s head, listening to him slowly but steadily build himself into a frenzy as he prepares to ‘win’ the job, at whatever cost.  Delambre's realization that he is sliding into a morass from which he may not be able to recover is captured perfectly when, meeting his daughter outside the school where she teaches to trick her into unwittingly helping him, he notes that
All around us the schoolchildren are yelling, jostling, taking the piss out of each other, drunk with the joys of being alive and fancying each other.  For them, life is nothing but one huge prospect. (104)

Then, in an extremely effective move, Lemaitre shifts the perspective and narration to a different character during the hostage taking scenario, leaving readers to witness Delambre’s actions without knowing his thoughts; we become a kind of participant in events, experiencing the consequences of Delambre’s plans without being privy to his goals, or even knowing if he has any. As the role play of the hostage situation evolves – and not surprisingly goes off the rails – we watch the tightly wound Delambre seemingly unravel before our eyes.

When finally the story moves to the period after the hostage taking scenario has played out, Lemaitre returns the narration back to Delabmre, and the pace of the story becomes frenetic. We watch him bring to bear his career-long training in HR techniques of manipulating situations and people in an effort to not only succeed in his plans but now to simply stay one step ahead of his persistent and unyielding adversaries. As he tailors his tactics to the personalities and predilections of both his antagonists and his allies, and then adapts them as he encounters roadblocks, it becomes like watching a juggler who keeps adding more balls to the mix, until dropping one appears to become inevitable.

Though Inhuman Resources builds to the heart-stopping pace and moments of brutal violence that have characterized earlier Lemaitre novels such as Alex (my review here), at its heart it tells a radically different story, from a distinctive viewpoint. Central to Alex, for example, was the detective in the story who was, whatever his failings and foibles, clearly on the right side of the situation. In Inhuman Resources on the other hand, the police play only a bit role, and readers have a compromised, civilian protagonist in Delambre, one who straddles the line between hero and antihero.

Certainly we want to root for Delambre to win back some of the dignity taken from him by a heartless economic system focused on minimizing costs, one that has spit him out of the workforce for becoming a bit too old, and that seems to conspire at every turn against his efforts to find decent work. Through the depiction of Delambre and his plight, Lemaitre has embodied the ever more frequently appearing arguments by philosophers and economists identifying the damaging consequences of critical and potentially fatal structural flaws inherent to the capitalist system, such as its focus on working time as the measure of value of a human life, and on profit above all else, as described for example by Hägglund (my review here). Playing particularly to the fears of middle class Western readers, Delambre becomes a kind of current day everyman, caught in a system rigged against him, and just fighting for his life.

But the lengths to which Delambre is willing to go as he becomes ever more deeply entwined in his increasingly complex and risky schemes, and the relationships he is willing to jeopardize along the way, make it challenging to continue supporting him. We are forced to ask ourselves – even as we try to imagine our own desperation in such a situation – at what point do the ends no longer justify the means?


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Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf