Sunday, October 27, 2013

Book Review: "Inverted World" by Christopher Priest

Inverted World (1974)  

Christopher Priest (1943)

322 pages

In the science fiction novel Inverted World by Christopher Priest, a city is gradually, moved across the landscape by its residents as they strive to keep it near a point referred to as the “optimum.” For the people of the city, the meaning of the optimum has been lost over many generations, and some are only dimly aware that it even exists or that the city must continue to stay close to its location. The responsibility for the critical task of moving the city onward falls to the members of a system of guilds.

A deeply secretive organization, the origins and even day-to-day function of the half-dozen or so guilds remain as hazy to the rest of the city’s residents as does the understanding of the optimum itself. Like the optimum, the guilds’ origins are shrouded in mystery, having been established in the city’s distant past. To ensure that the focus remains on the all important goal of keeping the city close to the optimum, the guilds have developed into a deeply entrenched political and social structure, responsible both for moving the city and for governing it.

As the novel opens the main character in the story, Helward Mann, comes of age and enters into an apprenticeship that will prepare him for a position in the same guild as his father. He begins this new phase of his life with a basic education, but only a most limited understanding of what the guilds do. The guildsmen perform most of their work outside the city, and only guildsmen are allowed out of the city, so the other residents remain largely unaware of what they do.

Helward must work through a series of assignments in each of the guilds before becoming a full-fledged guildsman. Once he takes up his work as an apprentice, he begins to slowly learn about and understand the reality of the city’s precarious existence, as well as the role of the guilds and the reasoning behind their seemingly dogmatic rules. As have apprentices for generations before him, he must experience first-hand the situation outside the city walls, in order to fully grasp the importance of the guild’s work.

Throughout his process of learning, however, he constantly struggles to square the preconceived notions he has carried over from his education and his life constrained within the city with the surprising reality he finds on the outside. What he cannot know as he works through his questions and doubts about the almost incomprehensible world he has been exposed to is that the future of the city is about to change in ways that will shake the foundations of all he has learned.

Built around the simple, single focus of the relentless need for the city to move forward, Priest has constructed in Inverted World an exciting story of adventure and discovery for Helward and for us the reader. With Helward as our narrator we develop our understanding about the strange world of this novel as he does, and we are limited as he is by the ways in which his preconceived notions and expectations color what he sees and experiences. Fascinating too is the social structure that Priest creates in the novel, and watching Helward deepen his understanding of it and of his place in it, his eyes finally opened by the broader base of knowledge he has as part of the guild system.

Our only advantage over Helward are the occasional facts that he mentions, but takes for granted, and that seem like they must be typo’s or mistakes by the author; but even these only leave us as readers in little better position than our narrator, uncertain whether to believe appearances. And when the whole becomes clear toward the end of the story, it comes as almost as startling a revelation for us as it does for Helward.

Other reviews / information: This is yet another wonderful book I have discovered through the series published by the New York Review Books (NYRB), which has searched out and re-published excellent fiction and non-fiction that had somehow slipped out of circulation.

The book includes an Afterword by John Clute that puts Priest’s novel in the context of his life and other work.

Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Friday, October 25, 2013

Book Review: "Children of the Days" by Eduardo Galeano

Children of the Days: A Calendar of Human History (2013) 

Eduardo Galeano (1940)


Translated by Mark Fried










 423 pages


When we look back over the broad sweep of history, we can easily be left with the impression of a fast moving river: some occasional surface features --- an important general here or a prominent king there --- but mostly it’s wide and deep, with individuals lost in the jumbled flow of humanity. How different from the very recent history we have actually lived, in which particular people, beyond just the famous and powerful, stand out for us as we follow the daily news of the world. It may not be many, but we come to know about people who fight for what they feel is right and just often against losing odds, others who seem blind to the irrationality of their behavior, and generally a whole assortment of characters from the wonderful to the odd. Surely there were also such people in the past, people who were not presidents or generals or leaders of powerful movements, but who stood out in some way, positively or negatively, if only for a brief moment in time?

In his book Children of the Days, Eduardo Galeano introduces us to some of these people, pulling from our collective history, traveling from the earliest days of human existence in Africa to the first moon landing. Written as a series of calendar entries, from 1 January through to 31 December, Galeano captures a brief recollection of a person or event, writing sometimes just a few lines, never more than a page. Many of the entries are tied to the day under which they appear, though not all. Occasionally a few entries form a sequence of related history or context over two or sometimes three days, but for the most part these sketches are independent, one from the next, jumping far and wide in time and geographical location.

Focusing generally on the less famous, those lost to the dark corners of history, Galeano recalls the courageous and brave, who stood up and fought back against injustice and inequality, and too the nefarious and conniving, who deceived and exploited the gullible or powerless.

So, for the example the story of Juana Manso, who in the 1800’s worked to expand the reach of education in Argentina and Uruguay:
June 30
A NUISANCE IS BORN
Today in 1819 Juana Manso was baptized in Buenos Aires.
The holy waters were to set her on the path to meekness, but Juana Manso was never meek.
Bucking wind and tide she founded secular schools in Argentina and Uruguay where girls and boys studied together, religion was not a required course and corporal punishment was banned.
She wrote the first textbook on Argentine history plus several other works, among them a novel that derided the hypocrisy of married life.
She founded the first public library in the country’s interior.
She got divorced when divorce did not exist.
The Buenos Aires papers took great pleasure in mocking her.
When she died, the Church refused her a tomb.

Or, in the following century, a man who dedicated his life instead to intentionally miseducating the public:
April 2
MANUFACTURING PUBLIC OPINION
In 1917 President Woodrow Wilson announced that the United States would enter World War I.
Four and a half years earlier, Wilson had been elected as the peace candidate.
Public opinion embraced with the same enthusiasm his pacifist speeches and his declaration of war.
Edward Bernays was the principal author of this miracle.
When the war was over, Bernays acknowledged that he had used doctored photographs and made-up anecdotes to spark pro-war sentiment.
This public relations success kicked off a brilliant career.
Bernays went on to advise several presidents and the world’s most powerful businessmen.
Reality is not what it is; it’s what I tell you it is. We can thank him, more than anyone else, for the modern techniques of mass manipulation that can convince people to by anything from a brand of soap to a war.

And the entries are not always tied to a specific person; witness the one for 12th April, which highlights the apparently timeless ability of people to rationalize their behavior in ways that seem blatantly contradictory to their own professed philosophies:
April 12
MANUFACTURING THE GUILTY PARTY
On a day like today in the year 33 --- a day earlier, a day later --- Jesus of Nazareth died on the cross.
His judges had found him guilty of “inciting idolatry, blasphemy and abominable superstition.”
Not many centuries later, the Indians of the Americas and the heretics of Europe were found guilty of those same crimes --- exactly the same ones --- and in the name of Jesus of Nazareth they were punished by lash, gallows, or fire.

The 365 histories in the book vary from what may be only apocryphal stories to factual and documented histories, but the absolute truth is hardly the point here. In these wonderfully captured sketches Galeano reminds us of the depth and variety of humanity, and the on-going struggle for what is right and good that people have fought and won, and lost, and won again --- or sometimes not --- throughout history.


Other reviews / information:

Galeano follows a similar style, if not tied to days and more chronologically sequential, in his three volume Memory of Fire series on the discovery and development of Latin America, of which I have so far read the first book, Genesis.


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION Bookshelf and NON-FICTION Bookshelf

Thursday, October 17, 2013

Book Review: "Robopocalypse" by Daniel H. Wilson

Robopocalypse (2011)  

Daniel H. Wilson (1978)











397 pages

After watching a horror movie does your imagination go into overdrive? Do you find yourself spooked and jumpy when in a dark room or looking out the window into the dark night, certain something’s there, and repeating to yourself, unconvincingly, that ‘there is nothing there in the dark that’s not there in the light’? If so, you’ll want to be careful reading Robopocalypse by Daniel Wilson: you may find yourself tossing your home computer out with the trash, and ripping the microprocessors out of any “smart” appliances in your house.

The title gets right to the heart of the story, an world-wide battle between humans and robots. The story opens with the war already over, humans having defeated the robots after several years of unimaginably destructive fighting. From this starting point, Wilson returns us to a year or so before the apocalypse occurs, when a scientist at a research facility creates an artificial intelligence named Archos that manages to escape the tight controls of the lab. Once out onto the web, Archos begins carefully preparing his (its?) attack, infiltrating intelligent systems that have, in this near-future world, penetrated most areas of society. All cars have been mandated to be “smart” vehicles that can communicate with one another to increase passenger safety, and humanoid and non-humanoid robots have been designed and produced that have become ubiquitous in homes and work places to simplify our lives. When Archos reprograms these machines with evil intent, and then unleashes them on their former masters, people find themselves ill prepared to fight back.

The novel is split into five sections, covering first the lead up to the robot attack, then the moment they launch their attack, the initial human struggle for survival, the galvanizing of a human resistance and finally the fight to regain control of the world from the robots. Wilson divides each section into a set of what could best be called ‘dispatches’ --- brief 5-20 page chapters, each covering a particular moment or incident in this ‘history’ of the robot apocalypse. These dispatches are centered around 5 or 6 groups of people, in different parts of the world, who gradually coalesce into a loosely connected movement that turns the tide in the war.

Wilson’s technique takes some getting used to for a reader. It’s a bit like summarizing three seasons worth of episodes of a TV show (thing Lost, for example) by taking a key ten minute clip from each show: if you pick the right ten minute segments, the story could still be complete, but it would lose a lot of character development and smoothness. Exactly that occurs here, as we never spend enough time with any of the characters, even the narrator, to build up a connection to them, to care much about them.

But the story is an entertaining ride, not unlike a roller coaster with lots of dips, rolls and twists. Wilson, who has a degree in robotics, brings such a realistic feel to the simple yet deadly capabilities of the robots that it will leave you looking sideways at your computer, with its little camera eye staring out at you, and its microphone listening to your every word…


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION and NON-FICTION

Tuesday, October 15, 2013

Book Review: "The Infatuations" by Javier Marías

The Infatuations (2013)  

Javier Marías (1951)

(translated by Margaret Jull Costa) 


346 pages
“…it’s so easy to introduce doubt into someone’s mind.” 
This reflection comes in the final pages of Javier Marías’ novel The Infatuations, but captures a notion that runs through the story: we cannot know the whole truth of an event, and so can easily be swayed to question what we think we know about it. Moreover, each new explanation we receive can often, instead of increasing our understanding, leave us only more uncertain.

The Infatuations takes place in Madrid, where María Dolz works at a publishing firm. María narrates the story, and opens by recalling a couple who she has seen for several years in a café at which she stops each morning before going to work. Despite never having approached or spoken with them, she has developed an attraction to the couple --- finding the husband handsome and the wife pretty, and the two apparently very much in love with one another. At times she sees their kids join them, before the father drives them off to school, and she begins to imagine the couple’s seemingly happy life together. Struggling at work with the various literary oddballs her firm publishes, she finds that these few minutes she vicariously spends with her ‘Perfect Couple’ each morning make her workday more bearable.

At one point the couple don’t show up for a few weeks she quickly begins to miss them, hoping they will come back soon to brighten her mornings. When weeks stretch into months she begins to wonder what has happened, fearing that their lives have taken on a different daily routine or that they have moved elsewhere. What she finally discovers is much more shocking: the husband was killed in a seemingly random act of violence by a street person in one of the better neighborhoods of Madrid. Some months later she sees the wife again at the café, somber and distracted, sitting either alone or sometimes with a male friend who ends up driving her kids off to school. Awkwardly, as they had never spoken before, María approaches the woman one day in the café to introduce herself and offer her condolences, only to learn that the woman and her husband had actually also noticed her, and had had a nickname for her: “The Prudent Young Woman.” What begins as a brief meeting to offer her sympathy ends up involving María in the mystery of the man’s murder; though the truth of the event must exist, she struggles to turn what she learns into a coherent explanation, as she finds herself mixing together her incomplete information with her assumptions about people’s motivations and rationalizations, including her own. We the reader are left in the same position, reliant as we are on María as our narrator.

By not providing us with “the truth,” by allowing us only into the thoughts of one character in the story, Marías leads us into a situation we encounter regularly in our every day lives: striving to make sense of what happens around us without having all the facts, never quite knowing whether we can fully believe what others tell us, wondering about their motivations and our own biases. We know that we ourselves rationalize, that we ourselves block out unpleasant or uncomfortable facts from our own thoughts, so we cannot help but realize that others do this too.

The actual physical action in the story could probably be boiled down into a few dozen pages at most. The real drama here, aside from the slowly revealed back story behind the murder, lies not in the physical action, but in María’s thoughts as she tries to interpret what she sees and hears, to make a plausible story out of it to satisfy her curiosity. For pages at a time we follow her thoughts as she imagines first one logical sequence of events or inner motivation of another character based on what she has heard, and then suddenly adapts it as she sees a new reaction or hears a new explanation. And we readers too cannot help but also interpret what we “hear” and “see” even if it is through María, as we try to divine for ourselves what has happened.

Woven into the plot --- as a kind of bonus that enhances the story and yet can also stand alone --- are Marías’ spot on revelations about our human condition. Some of these startle us to read because though we recognize immediately the fundamental truth, we find that we have never had it so precisely crystallized. Others, more pointedly, confront us with truths that had never occurred to us before, because, we are forced to realize, we have not allowed ourselves the honesty to actually think them consciously. Marías brings this wonderful engagement with his readers’ lives and thoughts to all of his novels that I have read, and it is in part this ability and technique that draws me so strongly to his work.

Take care if read you Marías’ novels: you may suddenly find the fog blown away from your fuzzy rationalizations and hazy motivations, and encounter realizations that challenge your thoughts and beliefs.

Read quotes from this and other books by Javier Marías

Other reviews / information:

Other works I have read by Marías, though I read all but one before I began this blog of reviews:
  • While the Women are Sleeping: A collection of short stories.
  • When I was Mortal: A collection of short stories.
  • A Heart so White: A novel of a man who upon getting married reconsiders his past.
  • Dark Back of Time: A novel written as a kind of imagined biography; a study of human nature that will pull you in deeply and force you to consider ideas and fears you had tried to leave buried in your subconscious. 
 You can find quotes from these works here.
 

Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION and NON-FICTION

Sunday, September 29, 2013

Book Review: "The Omnivore's Dilemma" by Michael Pollan

The Omnivore’s Dilemma:
A Natural History in Four Meals  (2006)

Michael Pollan (1955)











451 pages

Read Michael Pollan’s The Omnivore’s Dilemma at your own risk: you might learn more than you want to know about our food supply, and it may make the otherwise simple trip to the grocery store much more complicated for you.

In the title, Pollan refers to the fact that while most animals rely on a single food source or a limited number of foods, humans are omnivores; we can pick and choose from anything edible that we encounter; thus our dilemma, as we select among a range of foods, from the healthiest to the least so. This “anxiety” over what to eat has had far-reaching impacts, beyond one specific person’s diet choices. It has created an agricultural system in which an ever expanding variety of foods are created and provided for us to choose from. And this same agricultural system also dedicates significant resources to creating and disseminating large amounts of information, to assist --- or bias --- us in our daily selection of foods, information that can be driven by scientific, marketing and political motivations, and which often leads to confusing and contradictory conclusions.

As the book’s subtitle indicates, Pollan structures his story around four meals. Each section traces the history of a set of foods, to the point at which they become a meal for him. The four meals include a fast food dinner, eaten for good measure in a moving car; an “organic” meal from his local Whole Foods supermarket; a second “organic” meal from a locally focused farm operation in Virginia; and finally a meal from food that he has foraged and hunted for himself.

The first section, which culminates in the fast food meal, deals primarily with corn and its impact on our diet and on our agricultural system. Pollan describes the shocking ubiquity of corn (or more properly, corn-derived-products) in the modern day food system. He covers the history and biology of the corn plant, the codependency between corn and humans that has developed, and the farm policies that we have supported that have driven up corn production while maintaining low corn prices. He describes how this abundance of corn has consequently led to the creation of a myriad of uses for corn, as it is broken down into its constituent parts and then reassembled into all manner of food and non-food products. Finally, he highlights the key role corn has played in the now nearly complete transition to industrial-scale farms dedicated to a single or at most pair of crops, or to raising a single species of animal.

Confined Animal Feeding Operations (CAFO’s), often referred to as feedlots or animal factory farms, have developed largely as a result of federal policies that have encouraged increased corn production. These policies have led to a dramatic growth in the amount of corn produced by subsidizing farmers to grow corn --- including paying them the difference when the market price is too low, creating a glut of corn on the market, and thus holding corn prices low. This mass of available, low-priced corn has essentially demanded that our agricultural system find more and more uses for it. One such new use has been as animal feed, for cows and chickens, despite the fact that corn is not part of their natural diets. Pollan outlines how cows, for example, need to be fed significant amounts of antibiotics in order to ward off the illnesses that come directly from the fact that they are not adapted to eating corn. By concentrating so may animals in such a small place, corn having replaced open-pasture feeding, the CAFO’s also end up with huge lagoons of animal manure and urine, concentrated into a small area, and laced with the antibiotics and hormones fed to the animals.

And on the other side of the corn equation, most of this corn now being grown comes largely from industrial sized fields of corn, fields that look lush and green, but are unnatural monocultures --- essentially a bio-wasteland from an ecological point of view, inhospitable to most types of wild animals. These monoculture farms, no longer also raising cattle, must turn to artificial fertilizers for their crops; artificial fertilizers whose production is heavily dependent on petroleum.

Pollan’s detailed discussion on the large-scale industrialization that has developed in the areas of food production and processing can be summarized by a quote from another author, Colin Tudge, in his book The Time Before History: 5 Million Years of Human Impact: “... the agricultural systems of the [modern] world are not actually designed to feed people.” The food industry has become like any other, a source of profit for investing corporations. That the competition inherent in such a set-up may have brought with it significant and important advances does not alter the fact that there is a dark side to treating the generation of food, whether animal or vegetable, as a profit focused activity.

In the next section of the book, Pollan looks at organic food, following its development from the initial, very small-scale farms created by idealistic young people in the 1960’s and early 70’s, to its almost inevitable industrialization, as large companies discovered a new market to exploit. That path is hardly surprising given the big corporation-driven development of food in general that Pollan describes throughout the book, but it is all the more dismaying in the area of organic food, whose initial growth came specifically from the desire for a new, healthier and sustainable alternative to food production.

Pollan shows how organic products have become a commodity, and so, in the drive to lower cost and maximize profit, have inevitably lost at least some of what made them special and desirable in the first place. As in other parts of the book, he does not shy away from the fact that there are not easy answers: is making organic foods more prevalent and available worth the loss of some of the advantages that existed when they were grown in a small scale environment? Pollan doesn’t settle on an easy answer, because there isn’t one. He leaves it to us, his readers, to carry on the investigation he has begun for us in the book.

The “organic” section also covers the inevitable backlash among farmers who try to develop sustainable farms outside the standard, corporate market place. By their very nature a loosely connected group, these farmers form a kind of guerrilla action, fighting the industrialized organic companies on a vast number of individual fronts. At the same time they must struggle against government policies that are prejudice against them, often intentionally due to the lobbying efforts of the large producers. Pollan demonstrates too, using as an example a particular farm that he visits and works on for a week, that the farmers in this movement are often not simply calling for a simple “back to nature” drive; instead they investigate and develop new approaches to optimize the use of their land and make their farms more successful, methods that compliment and extend ancient techniques.

Tying together what he learns about the industrial-sized farms of crops or animals, and the smaller scale mixed use farm which, like most farms up until a half a century ago or so, raise both crops and animals, Pollan comes to sudden realization: the move to industrial-sized, monoculture farming has broken in a fundamental way the natural synergies which exist on small-scale, mixed product farms. Just as one example, he reminds us that a mixed product farm is naturally self-sufficient: the animals provide fertilizer for the crops; the crops provide food for the animals. On an industrial-scale monoculture farm on the other hand, there are no animals to provide fertilizer, and so artificial fertilizer must be purchased. Similarly, on a CAFO the animal wastes have no where to be used, and so must be stored in huge lagoons near the animals; in reality the waste in these lagoons is not usable for fertilizer anyway, because it is a toxic brew containing the antibiotics and hormones fed to the animals. And these are only two of the natural connections now broken by an unnatural agricultural system.

While the sections on fast food and organic food are each impactful in their own way, the last section of Pollan’s book is perhaps the most dramatic. In this section he goes back to the original human lifestyle: hunter-gatherer. He talks about the challenges of forging for mushrooms without poisoning himself, but also of learning to shoot a gun and hunt, having come from a background in which he had no connection to guns or hunting. His experience of hunting and killing a wild hog --- the thrill of the chase and the kill, and the reflection later on about what he has done --- leads him to consider the ethics of eating animals at all. His does not argue this discussion from a preset point of view, content rather to describe how his thinking evolved on the issue, and the complexity of its various aspects. The psychological drama of having the most basic and fundamental possible relationship with his food source when he finally sits down to eat this last of the four meals makes for compelling reading, especially for anyone who shares his background as a non-hunter.

Pollan has written an engaging and fascinating review of our food and agricultural systems, and their impact on both our diet and our environment. While recognizing that these changes have brought us cheaper food and a greater variety of available foods, he also shows the less visible but equally dramatic effects the changes have had: significant petroleum resources going to the production of artificial fertilizers, disturbingly harsh lives for animals raised on industrial feedlots in terms of animal diet and living conditions, pollution of the environment from the toxic waste coming off such animal feedlots, and the dietary impact of the new foods being developed, for example the use of corn syrup as a sweetening agent in so many foods. He acknowledges that easy answers do not exist for many of these questions, but he encourages us to at least become more aware of where our food comes from, to understand the full impact of modern day agriculture and to begin to look at alternative methods of growing food and raising animals that may provide solutions to some of the worst of the impacts of our modern day food systems.

Read quotes from this book

Other reviews / information:

On a related topic: I've read Eric Schlosser's <u>Fast Food Nation</u> (2001), which is another wonderful, if also scary, look at the food industry, focused on the dietary aspect and its affect on our health.

In a lighter vein: I've read Michael Pollan's <u>Second Nature</u> (1991), which is about his attempts to begin gardening.  His tone throughout the book is an engaging mix of seriousness and humor, and most any gardener will find themselves nodding and laughing to themselves as they relive through Pollan their own trials and tribulations in the garden.


Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION and NON-FICTION

Tuesday, September 24, 2013

Book Review: "Jakob der Lügner" ("Jakob the Liar") by Jurek Becker

Jakob der Lügner (1969)
(Jakob the Liar)

Jurek Becker (1937)











283 pages

In a community caught in a monstrous situation, hope can be a final barricade against despair. Someone seen as a source of hope in the midst of such desperation takes on a status and importance that can feel overwhelming. How does one carry such a burden, live up to such a responsibility?

Jakob, a Polish-Jew living inside a walled off ghetto in a town in German-occupied Poland during World War II, faces this dilemma in Jurek Becker’s novel Jakob the Liar. Jakob works at a railroad yard loading and unloading cargo, and also owns a small restaurant. As the story opens, he is walking home close to curfew time, when a German street-guard accuses him of being out after curfew and orders him to report to the nearby German police station. Though he is eventually allowed to go home, he happens to overhear a radio report while in the police station that indicates that Russian troops have advanced to within 400-500 kilometers of his town. At the railroad yard the following morning, in a moment of crisis as he tries to stop a friend from taking a life-threatening risk, he tells the friend the news about the Russian advance, information that carries tremendous importance for the suffering Jews of the ghetto --- that hope is on the horizon. His friend doesn’t believe him, however, unable to imagine how Jakob could know such a thing. Desperate to convince his friend by substantiating his information, Jakob blurts out that he has a hidden radio, though he actually has no such thing and even the hint of owning one could cost him his life if the Germans hear of it.

Before he can take it back, the news of the secret ratio spreads through the ghetto like wildfire, and Jakob suddenly finds himself the center of attention, the focus of everyone’s hopes. A steady stream of people begin approaching him for the latest news, and, without an actual radio, he is forced to invent Russian progress each night, to tell lies. Jakob at first tries to find ways to extricate himself from the situation he’s inadvertently created, but his friends and neighbors in the ghetto, so desperate for any hopeful news, and unaware of the reality, end up blocking his every attempt. Finally even Jakob himself realizes, as he notices the positive effect his daily updates have on his fellow Jews, that he won’t be able to bring himself to stop the charade.

In telling the story, Becker convincingly recreates the environment of life in the ghetto. Not surprisingly, the tense and always dangerous interactions between the Jews of the ghetto and the German overseers play an important role. When, for example, two German SS officers come into the ghetto looking for a particular Jew, Becker’s description highlights the fear and, on both sides, the hatred that accompanies them; the many different ways that the Jews in the ghetto react are as varied as the people involved. More central to Becker’s telling are the complex relationships between the Jews themselves, as they try to survive the daily dangers of their situation. Even the presence of the radio becomes a point of strenuous division in the population of the ghetto.

The basic story of the novel is simple, and as Becker sets it up in the first couple of dozen pages it is hard to imagine how it will fill out the rest of the pages of the book. But the key to the novel is not the story of the non-existent radio, or the lies that Jakob must invent because of it; what shines through in Becker’s writing is the psychological complexity of life in the ghetto, and the variety of personalities and attitudes that make up the population. He skillfully mixes moments of humor and mundane events in the lives of the residents, with periods of fear and despair they feel at the apparent hopelessness of their situation.

Read quotes from this book

Other reviews / information:

Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION and NON-FICTION

Monday, September 2, 2013

Book Review: "The Catcher in the Rye" by J. D. Salinger

The Catcher in the Rye (1951)  

J. D. Salinger (1919-2010)











214 pages

Having seen the trailer for the new documentary about J. D. Salinger’s life several times in the last couple of weeks, I decided it was time to fill-in a hole in my reading list: I’d never read The Catcher in the Rye. I hadn’t been avoiding it all these years exactly, but it has remained one of those well-known novels that “everyone” seems have read except me. One concrete reason that may have contributed to this is that many years ago I read his book Nine Stories --- it was on my parent’s bookshelf and I had recognized the author’s famous name, and I remember being under-whelmed at the time. I no longer recall why, but I simply didn’t find the stories particularly engaging. So, I suppose I’ve just never been all that motivated to seek out The Catcher in the Rye.

I’ve rectified that now, having just finished an old edition of the book my wife has. And, at the risk of typing out a kind of blasphemy, I didn’t find it very engaging either, at least not to the extent I expected from what I’ve heard about it, especially recently again, from the famous authors and actors who comment positively on it in the trailer for the documentary.

For those who have not read it and are not familiar with the story, Salinger wrote the novel in the voice of Holden Caulfield, a boy in his late teens from a well-to-do family in New York City. Written as a kind of testimonial, Holden recollects as he says in the opening paragraph, “the madman stuff that happened to me around last Christmas.” On the verge of being kicked out of his third prep school because of poor academic performance, and with Christmas break just days away, Holden abruptly leaves the school and takes the train to New York City. He has no firm plans, except that he does not want to arrive at home before his parents receive the letter informing them of his dismissal. He describes his many experiences and encounters over the few days he tries to avoid going home, as he bounces haphazardly around the city. It becomes clear from his telling of these days (and nights) that his failures in school are not due to a lack of intellectual ability so much as to the same alienation and aimlessness that drives his chaotic wandering through the city.

Salinger’s writing captures Holden’s voice brilliantly, and through Holden’s telling of his adventures in the city, and his recollections of earlier events, his confusion with the world and uncertainty over his place in it become clear. I suppose the struggle I had as I read the story may reveal more about me than the novel itself: I have trouble reading (or watching movies for that matter) about someone who is self-destructing at every turn due to fundamental misunderstandings of themselves and others. In his recent novel, The Sound of Things Falling, Juan Gabriel Vásquez writes: “Experience, or what we call experience, is not the inventory of our pains, but rather sympathy we learn to feel for the pain of others.” Holden sometimes recognizes “the pain of others”, but he seems incapable of learning sympathy for it, of finding empathy for those he meets. For him, everyone is classified in some simple categories, mostly negative, and even most of those who he first states that he likes quickly come in for complaint.

Maybe this was the point for Salinger in writing this novel; if it was, he succeeded brilliantly, but for me it made for an extremely frustrating read.

Have you read this book, others by this author, or even similar ones by other authors? I’d enjoy hearing your thoughts.
Other of my book reviews: FICTION and NON-FICTION